Niggunim

2018
Roberto Paci Dalò reworks traditional materials by combining clarinet and bass clarinet with live electronics. Creating a bridge between tradition and contemporaneity in the name of a music of prayer that involves sound and body. Niggun (niggunim plural) means in Hebrew: “air” or “melody” and is a form of Jewish religious song or melody sung by groups.
It is a technique of singing, often with abstract repetitive sounds in place of a formal lyric. Sometimes verses from the Torah, or quotes from other classical Jewish texts, are sung repetitively to create a niggun. Some niggunim are sung as prayers of lamentation, while others may be joyful or victorious. 

Press kit

Niggunim are especially important in the liturgy of Hasidic Judaism, which has developed its own structured spiritual forms to reflect the mystical joy of deep prayer, expressed in devekut (the mystical joy of intense prayer).  The concert Niggunim is a prelude to the installation Shul שול that Roberto Paci Dalò created in 2018 for the San Domenico Museums (Forlì, Italy). Niggunim is a work with a remote historical background: it celebrates an important historical event for the Jewish community and for the world, that of the Jewish Congress of Forlì in 1418, whose sixth centenary falls in 2018. Sweet and nostalgic, intimately vibrant, the Roberto Paci Dalò’s mysterious melodies called Niggunim resound in the wonderful spaces of the Church of San Giacomo hundreds of years after the Jewish Congress.

What does Niggunim mean?

Where does the term Niggunim come from?
Niggunim (niggun in the singular form) means in Hebrew “melodies” or “arias”. They are part of the complex Jewish musicological system. It is a form of Jewish religious singing. That of the niggunim is a choral singing technique based on the repetition of the equal. It therefore uses cyclical and repeated forms to encourage the psychic abstraction and spiritual recollection of the faithful. The same verses of the Torah or some topoi of classical Jewish literature are sung in a repetitive way, in a niggun precisely, to abstract man from the material world. Some niggunim are sung as prayers of lamentation, while others can be joyful or victorious. Niggunim are particularly important in the liturgy of Chassidic Judaism, which has developed its own spiritual forms to reflect the intensity of the joy arising from spiritual recollection. It is the so-called Devekut, or “mystical joy of intense prayer”.

Between ancient style and modern design

Roberto Paci Dalò is inspired by this form of Jewish religious song to create his own sound architecture, with a refined combination of ancient style and modern design.
In Roberto Paci Dalò’s Niggunim, the musical and electronic performances, both live, are interlaced to form a wise warp of echoes and acoustic refractions. The artist amplifies the sound of his instrument, the clarinet, through which, simultaneously, he performs. Dark and abyssal, deep and cavernous, sometimes relaxed and sometimes excited, the cyclic rhythm that derives from the successful mixture of usual and unusual forms, pushes the minds of viewers to the elsewhere. Manipulating in live electronics the sound of his own instrument, the artist creates ex novo and reconfigures from time to time new visions of worlds. The acoustic nuances multiply, chase each other, explode in a polyphony that transcends and goes beyond the time limits. It is a truly unique moment of collective meditation.

Niggunim – world premiere: Forlì, Musei San Domenico, May 18, 2018

Niggunim – world premiere: Forlì, Musei San Domenico, May 18, 2018

Niggunim – world premiere: Forlì, Musei San Domenico, May 18, 2018

Jewish Congress of Forlì 1418

In the year 1418, from May 16 to 18, an important Jewish Congress was held in Forlì, seat of an ancient and flourishing Jewish community. The important congress, which saw the presence of the delegates of the Jewish communities of Padua, Ferrara, Bologna, the cities of Romagna and Tuscany, as well as Rome, was convened in Forli, seat of an ancient and flourishing Jewish community: there decisions were taken on the behavior (ethical and social) that the Jews should have kept and a delegation was sent to Pope Martin V for the confirmation of ancient privileges and the granting of new ones. In particular, they asked to abolish the anti-Jewish legislation wanted by the antipope Benedict XIII (Etsi doctoribus gentium). Martin accepted the requests of the congress.

Niggunim, 2018 (teaser)

Calendar

When

Project

Venue

City

13 May 2019

Salaborsa (Ri#BELLE di Orea Malià)

Bologna (I)

14 January 2019

Beth Shlomo

Milan (I)

7 October 2018

Museo Carlo Zauli

Faenza (I)

Credits

a project by
Roberto Paci Dalò (composition, clarinet, live electronics)