OSIP

OSIP

2024
A cycle of variations around the words and time of Osip Mandel’štam with Roberto Paci Dalò performing live. The artist investigates the work of the Jewish-Russian poet Osip Mandel’štam (1891-1938) and intends to start from the practice of samizdat to develop a cycle of artistic actions made of concerts, workshops, conversations, theatre, drawing, performances, film, editions. Starting from these practices the artist will then create a theatre work entitled Sole nero that will debut in the 2025/2026 season.

The project starts from the writing of Mandel’štam (who died in 1938 on his way to a gulag in the Far East of the Soviet Union, not far from Vladivostok) intertwining it with the practice of samizdat. The term indicates the activity of clandestine distribution of illegal writings reproduced by hand, because they were censored by the authorities or in some way hostile to the Soviet regime. самиздат in Russian means “self-published” and indicates a spontaneous social, cultural and political phenomenon that exploded in the Soviet Union and in the Eastern Bloc countries between the late 1950s and early 1960s. It is used in a similar sense to indicate all journalistic and literary productions forced into clandestinity due to a government censorship regime. Soviet samizdat was a unique phenomenon of its kind.

Samizdat


Reproducing on one’s own (by hand or on a typewriter, rarely on a mimeograph machine) texts that state censorship would never have allowed to pass was not an activity that concerned only literature, on the contrary; in the beginning it included documents of all kinds, secret materials, protests and appeals, verses, novels, philosophical essays.

Samizdat were different not only in the ideas and debates they spread to a wider audience, but also in their format. Typed, often stained and creased, with numerous typographical errors and anonymous covers. The format of samizdat was born out of a lack of resources and the need to go unnoticed. Over time, dissidents in the Soviet Union began to admire these qualities for their own sake; the botched appearance of samizdat contrasted sharply with the well-crafted and regular volumes of state-authorized texts. The samizdat format gained more importance than the ideas it expressed and became a powerful symbol of the rebellious but materially deprived spirit of the inhabitants of the Soviet Union; the format itself elevated samizdat reading to a clandestine act of valor.

Ribs / Roentgenizdat


Along with the paper world we have the so-called contraband audio. A homemade “bone disc” Ribs, “rib music”, “bone discs” or roentgenizdat (roentgen- from the Russian for X-ray, named after Wilhelm Röntgen) were homemade phonograph records, copied from banned recordings that were smuggled into the country. Their content was Western rock and roll, jazz, mambo and other music, and music of banned emigrants. They were sold and traded on the black market. Each disc is a thin, flexible sheet of plastic recorded with a spiral groove on one side, playable on a regular phonograph turntable at 78 rpm. They were made from cheap, available material: used X-ray film (hence the name roentgenizdat). Each large rectangular sheet is cut into a circle and recorded individually using a makeshift recording lathe. The discs and their limited sound quality are reminiscent of the mass-produced flexible disc and may have been inspired by it.

Calendar

When

Project

Venue

City

23 November 2024

Spazio Gerra

Reggio Emilia (I)

Credits

Idea, voice, composition, clarinets, live electronics Roberto Paci Dalò
Artistical collaboration Nicoletta Fabbri, Alyona Shumakova
Production Giardini Pensili
In collaboration with Giometti & Antonello