Millesuoni. Deleuze, Guattari e la musica elettronica

This book offers for the first time to the Italian public the story of the interaction between Deleuze and Guattari’s philosophy and electronic music. A story that began, perhaps, when Deleuze took part in 1972 in the recording of the Electronique Guerrilla album by the experimental rock band Heldon, lending his voice to a fragment of Umano, too human by Nietzsche.

Publisher

Cronopio

Size

20.3 x 1.2 x 13.5 cm

ISBN

9788889446133

To retrace this complex and rich story, Emanuele Quinz explores some key concepts from which Deleuze and Guattari elaborated their reflection on music. This is followed by a series of analyses (Murphy, Cox, Franck), derived from different geographical and theoretical backgrounds, which outline the history of the impact of the two philosophers’ thought on experimental electronic music. The lyrics by Hinant, Szepanski and the interview with Paul D. Miller, aka DJ Spooky, introduce the testimonies of those who integrated Deleuze and Guattari’s thought into the practice of music production. The book closes with a contribution of only images by Roberto Paci Dalò.

Curated by
Roberto Paci Dalò
Emanuele Quinz

Contributions of
Christoph Cox
Philippe Franck
Guy-Marc Hinant
Paul D. Miller aka DJ Spooky
Timothy S. Murphy
Roberto Paci Dalò
Emanuele Quinz
Achim Szepansk

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